Scored for a large orchestra, including triple wind and a raft of percussion, Penderecki's Piano Concerto, heard here in it's 2007 revision first performed by Barry Douglas, renews the composer's direct involvement with the 'grand' concerto tradition that culminated in Rachmaninov and Prokofiev. It's sub-title 'Resurrection' refers to the melody based on a chorale of a non-religious character, which gradually make it's way into the foreground before emerging with striking power at the work's climax. The more modest forces used in the Flute Concerto place no restriction on this work's exceptional emotional range and kaleidoscopic colours.
1 Piano Concerto 'Resurrection' Allegro Molto Sostenuto
2 Piano Concerto 'Resurrection' Adagio
3 Piano Concerto 'Resurrection' Allegro Moderato Molto
4 Piano Concerto 'Resurrection' Adagio
5 Piano Concerto 'Resurrection' Allegretto Capriccioso
6 Piano Concerto 'Resurrection' Grave
7 Piano Concerto 'Resurrection' Allegro Sostenuto Molto
8 Piano Concerto 'Resurrection' Andante Maestoso
9 Piano Concerto 'Resurrection' Allegro Molto Sostenuto (Tempo Dell'inizio)
10 Piano Concerto 'Resurrection' Adagio
11 Concerto for Flute and Chamber Orchestra - Lukasz Dlugosz/Warsaw Philharmonic Orchestra
12 Concerto for Flute and Chamber Orchestra Andante - Lukasz Dlugosz/Warsaw Philharmonic Chamber Orchestra
13 Concerto for Flute and Chamber Orchestra Piu Animato - Lukasz Dlugosz/Warsaw Philharmonic Chamber Orchestra
14 Concerto for Flute and Chamber Orchestra Andante - Lukasz Dlugosz/Warsaw Philharmonic Chamber Orchestra
15 Concerto for Flute and Chamber Orchestra Allegro Con Brio - Lukasz Dlugosz/Warsaw Philharmonic Chamber Orchestra
16 Concerto for Flute and Chamber Orchestra Vivo
Scored for a large orchestra, including triple wind and a raft of percussion, Penderecki's Piano Concerto, heard here in it's 2007 revision first performed by Barry Douglas, renews the composer's direct involvement with the 'grand' concerto tradition that culminated in Rachmaninov and Prokofiev. It's sub-title 'Resurrection' refers to the melody based on a chorale of a non-religious character, which gradually make it's way into the foreground before emerging with striking power at the work's climax. The more modest forces used in the Flute Concerto place no restriction on this work's exceptional emotional range and kaleidoscopic colours.
