As Haydn scholar H.C. Landon explains, 'it is clear that with this Missa Cellensis... he reached, and reached with panache and astonishing vigor, the popular style for which he had been so long and so diligently searching.' for this reason, the Mariazelle.
As Haydn scholar H.C. Landon explains, 'it is clear that with this Missa Cellensis... he reached, and reached with panache and astonishing vigor, the popular style for which he had been so long and so diligently searching.' for this reason, the Mariazelle.
