Mashine Music is Greg Badolato on tenor sax, and David Mash performing all other instrumental parts. David plays guitar and keyboards, and used Logic Studio and a variety of software instruments running on a Macintosh computer to produce this recording. David plays Godin guitars, uses a Roland VG-99 with FC-300 and an Apogee GiO to connect his guitars to the computer for audio and MIDI data. David's Mac uses a PreSonus FireStudio 2626 with MRC as an audio interface. In addition to the Logic instruments, David also uses the Korg Legacy Collections, Sonoma Wireworks' DrumCore, Spectrasonics Omnisphere and Trillian, Synthogy Ivory II, and Arturia's MiniMoog software. David also uses Line 6 PodFarm 2 for processing his guitar sounds. For mixing, we used the Euphonix Artist Series control surfaces. David recorded all the software instrument tracks at Mashine Studios. Peter Bell engineered and produced the guitar and saxophone recording sessions at Bell Music, and David & Peter did the final mixes back at Mashine Studios. Mastered by Jeff Lipton at Peerless Mastering, Boston, MA Assistant Mastering Engineer: Maria Rice. The cover painting is part of the "Light" series by Wendy Young. Photos by Audrey Harrer and creative package design by Erin Genett. SPECIAL THANKS to Erica, Reesa, & Sasha for their inspiration and support. To Peter and Greg: your contribution to this work is immeasurable, and I am forever in your debt. BIG thanks to Wendy, Audrey, and Erin for the artwork, graphic layout and photos! To Dave Dysart for his input on the mixes. To Janet and Robert Godin for your friendship and wonderful instruments. To Eric Pursing and Spectrasonics, Michelle & Dug Wright at Sonoma Wireworks, Lee Whitmore and Ken Johnson at Avid, Gerhard Lengeling at Apple, Joe Ierardi at Synthogy, Jim Odum & Bob Tudor at PreSonus, to Mr. Kakehashi, Scott Tibbs, and all my friends at Roland, and all the good folks at Apogee and Korg.